The Communal Cradle

This is a diary entry I wrote in 2004. I’d recently been dumped (by a musician partner, not a lover) and perhaps I was looking for an explanation, didn’t see it that way at the time though! It was a Sunday afternoon in November, sat on a bench in covent garden. I was really hungover but it was one of those good ones, where in addition to the sandpaper tongue/piercing headache/intermittent retching you actually feel enlightened, a good blow out. I was feeling quite tender (emotionally and physically!) and wanted to make sense of the stuff spinning round my head, to find a reason why someone I had trusted and expected so much from had up and left, without warning. Having a good writing session really cleared my mind, and I felt so happy and excited I even began to find answers for other questions hanging around my neck, like why do I feel compelled to sing & write songs?
Then the answer came. Hurrah. So chuffed. Some weeks later I bought an A1 size piece of yellow card and copied this paragraph out in HUGE letters and stuck it to my wall, I remember being so pleased with myself, convinced I’d worked out my own little meaning of life. In the years that have passed it’s remained relevant to me, so I stuck a bit of it inside my album sleeve. Been a little worried folks won’t understand the fragment I stuck in the album, so here it is in full:

Sometimes, I understand you.

We don’t know each other. We think we do, but how can we when the information inside our heads is hidden, by a lot of flesh, bone and expression. There are some holes in the face of course and these reveal a little. When Tim Booth sings “sometimes when I look deep into your eyes I swear I can see your soul” the key word for me is ‘sometimes’.

Sometimes thoughts get mixed up, or misunderstood. You may have communicated with someone and just them mouthing words, making sounds – this act alone has made you really upset or angry or whatever…we are all compassionate.

We hold each other in the communal cradle of our actions, of our words too, and of course (the fun bit in my opinion) our expression.

 

Dan Whitehouse. Sunday November 21st, 2004

Kiran Lee Textiles

Hello

Kiran and I have been friends for a long time, our Mother’s were friends so it’s kind of since before we were born. He he.

Earlier in the year I sent her a rough copy of the album I was working on, and invited her to have a listen. I might have hinted that I was curious to see if the songs would inspire any other art.

Didn’t hear anything from Kiran for a while, but was delighted to receive a beautiful, hand crafted, illustrated book for my song My Heart Doesn’t Age (It Just Gets Older) in October.

This website and screen probably won’t do it justice, but I am keen to share this so here goes. Perhaps you could listen to the song at the same time.



H G Wells and Wilco

Hello,

Back from my travels to Bristol and London, and a fun Wolverhampton gig sandwiched between.

Whilst in London I managed to sit at the writing desk of HG Wells and enjoyed some cucumber sandwiches with no crusts, in Bristol I watched Wilco and found a GOOD cafe that I want to play at but can’t remember the name of.

I am in the process of sorting out a few things, more gigs, video footage from last weeks gig at the Glee Club Birmingham, remixes, and scanning artwork. Said artwork is perhaps the most exciting feature of my week. My dear friend Kiran Williams has produced a truly beautiful book of the song ‘ My Heart Doesn’t Age (It Just Gets Older). I have had it scanned at a print shop but I am not happy with it yet, I want to share it with you in the best possible manner of course.

Here’s a little note for one’s diaries: on December 1st i’ll be playing the ‘Live Lounge’ of the White Lion, Sandwell Street, Walsall WS1 3EQ and Dec 11th at Old Queens Head, 44 Essex Road Islington, London N1 8LN

Have you seen the photographs Carsten Dietrich took of the Glee gig last week? Have a look here

Bye for now

Dan