Pleased to announce an exciting forthcoming gig supporting the Ivor Novello-award-winning singer songwriter Scott Matthews.

Friday May 4th at Newhampton Arts Centre Wolverhampton. Tickets will be on sale very soon priced £12.50 adv from the Newhampton site.

Needless to say I’m looking forward to this special occasion:)

It will be a real honour to support Scott.

Dan x

But then, I would say that.

Happy New Year

Dan x

Kiran and I have been friends for a long time, our Mother’s were friends so it’s kind of since before we were born. He he.

Earlier in the year I sent her a rough copy of the album I was working on, and invited her to have a listen. I might have hinted that I was curious to see if the songs would inspire any other art.

Didn’t hear anything from Kiran for a while, but was delighted to receive a beautiful, hand crafted, illustrated book for my song My Heart Doesn’t Age (It Just Gets Older) in October.

This website and screen probably won’t do it justice, but I am keen to share this so here goes. Perhaps you could listen to the song at the same time.

Back from my travels to Bristol and London, and a fun Wolverhampton gig sandwiched between.

Whilst in London I managed to sit at the writing desk of HG Wells and enjoyed some cucumber sandwiches with no crusts, in Bristol I watched Wilco and found a GOOD cafe that I want to play at but can’t remember the name of.

I am in the process of sorting out a few things, more gigs, video footage from last weeks gig at the Glee Club Birmingham, remixes, and scanning artwork. Said artwork is perhaps the most exciting feature of my week. My dear friend Kiran Williams has produced a truly beautiful book of the song ‘ My Heart Doesn’t Age (It Just Gets Older). I have had it scanned at a print shop but I am not happy with it yet, I want to share it with you in the best possible manner of course.

Here’s a little note for one’s diaries: on December 1st i’ll be playing the ‘Live Lounge’ of the White Lion, Sandwell Street, Walsall WS1 3EQ and Dec 11th at Old Queens Head, 44 Essex Road Islington, London N1 8LN

Have you seen the photographs Carsten Dietrich took of the Glee gig last week? Have a look here

Bye for now

Dan

Wilco were brilliant last night in Bristol. My favourite song is One Wing what a beautiful lyric “one wing will never fly, neither yours nor mine, i feel we can only wave goodbye”

Pleased to announce a last minute solo gig at Newhampton Arts Centre tonight, not sure of my stage time, but will be sometime after 8:30pm.

If you can make it, it’ll be a pleasure to see you there.

Bye for now

Dan

I think he summed it up well really. It was a cold night but as the audience took to their seats in the studio at Glee Club, but by the end of the evening there was a really warm atmosphere. Peter Bruntnell played a lovely acoustic set, with the last minute addition of John Large on drums adding to the magic of the moment. Peter’s guitarist (and next door neighbour) James Walbourne was a real treat to watch, effortlessly gliding across the fretboard, producing an array of timely atmospherics and counter melodies.
I was a little nervous before I went on, but once we started playing together I revelled in the experience, the band sounded fluid and the arrangements appeared to grow and blossom in front of us!

Thank you to all that made the effort to come and bought the album, I hope you enjoy listening over coming days.

I’m off to watch Wilco play in Bristol today.

Take care

Dan

…and if you like it, you can buy it here!

Happy to report the album’s done and you can listen to it on facebook, it’ll be available at the launch gig at Glee Club Birmingham on October 26th, and you can order now

I must also let you know that the Nottingham show on October 27 has been cancelled, all tickets will be refunded or you can do an exchange for Birmingham gig on 26th.

I do hope you can make it to the show on October 26th, Peter Bruntnell is travelling up from Devon to play, which makes it a very special event.

Take care
Dan

ps: Last week I did an interview with Chris at Brum Notes magazine

> So, a full length album on its way – how does you feel? Relieved, excited or
> a bit of both?
You guessed right Chris, a bit of both. But mainly I feel grateful to producer Michael Clarke for capturing the sounds in my head.

>What can fans expect from the record, any surprises?

Would it still be a surprise if I told you?
There is spoken word, and some instruments I’ve not worked with before such as accordion, banjo, ukulele and theramin. We also managed to make a percussive loop out of an electric screwdriver…see if you can spot it!
Compared with my previous releases this is quite a fragile, stripped back affair, lead by my acoustic guitar and voice. Listeners might have to turn it up and really tune in to the lyrics to find the treasure.

> And for those who’ve not heard you before, how would you describe your sound
> or style?
Simple & direct.
Somebody else recently described my sound as a cross between Cat Stevens and The Streets.
One of the best things about the internet is that we don’t have to read descriptions of sound anymore…you can just click and listen instantly. www.dan-whitehouse.com

> How was the recording process itself, was it a DIY affair, or did you work
> with other musicians/producers?

This record is a collaboration with Michael Clarke, of Rogue States, he produced and mixed the album. I also co-wrote several songs with musicians June Mori (Piano) and Steve Clarke (bass).
Aside from travelling to London to capture the pedal steel of BJ Cole, the majority of the album was recorded at Michael’s flat in the Jewellery Qtr, with a wide range of welcome visits from musicians.

Michael and I began with rehearsals, coffee time, exchanging songs on email, sharing ideas and started recording in March 2011 with a 3 day session at my parents house in Wolverhampton. I went travelling for the whole of April, and then we spent 1 or 2 days a week together at Michael’s flat throughout the summer months of June and July. I have some lovely memories of the morning walk across Birmingham City Centre from my flat to Michaels….it only took 15 minutes, but my excitement grew with every step towards the studio! Knowing that we were going to dive in to the creative world for an entire day, and that I was truly free to express myself.
I also recorded one or two things (BVs mainly) myself at my flat and a friend’s cottage out in Staffordshire.

Michael brought a lot to the table, he’s a fantastic, singer songwriter, producer and plays a wide variety of instruments. Recording with him was a real treat, especially recording vocals as he really understood the fragile nature of vocal performances.

There are lots of great Birmingham based musicians on the record, Tom Livemore (Carina Round, Mickey Greany, Alt Dubstep Orchestra) played Theramin, Helen Lancaster of The Old Dance School Viola, Catherine Gough played Accordion, John Large drums and Lee Mitchell, Tom Bounford (Saturday Night Gym Club) Stuart Baxter Wilkinson, Fran Lancaster and Jamie Clayton all sang background vocals.

> Like many solo performers you started off in bands when you were younger.
> Did you find that solo was a better creative outlet to make the music you
> wanted to make?
I can see benefits to both!
Other people are really interesting, and so it’s great to create stuff with others regardless of whether you are solo or in a band. Other people have taught me everything I know, and it’s other people who have given me the confidence to perform solo too.
Being solo allows you a lot of freedom and with the 3 EPs (Balloon/Bubble/Box) I really enjoyed treating each song as an island and collaborating with different musicians on different songs.
During the process of recording this album it felt almost as though Michael and I had formed a band…and I think that’s the nature of any producer/artist relationship.

> You’ve made the short migration from Wolverhampton to Birmingham, do you
> find any notable differences in the musical output from the two cities?
Not really.
One of the best things about the West Midlands is the variety of cultures and musical output.

> Does Wolverhampton itself find its way into your writing do you think?
I hope so. I think it’s a Wulfrunian trait to be honest, to tell it like it is.

> It’s produced some great songwriters over the years, most notably Scott Matthews
> recently, is there a natural scene or environment for musicians to flourish
> or is it always a case of looking to Birmingham for gigs?

There’s a concentrated scene. I would encourage musicians to curate their own, bespoke live events to suit their music. Newhampton Arts Centre is a wonderful venue for live music, Lighthouse Media Centre is interesting too.
Musicians writing original material have to work hard. I think there is a difference between hearing and listening that’s getting lost somewhere in this digital age.

> You’re selling some pretty interesting bundle packages to hand deliver
> albums and perform at people’s houses, how did that idea come about?
It’s sort of inspired by Dave Gorman’s recent project where he went around playing games at the homes of people he met on twitter, and also the interesting stuff going on at pledge.com…I think I’d like to set up a campaign on there for my next album.

> …and are you afraid of encountering any Alan Partidge-esque fan stalkers?
Not until you mentioned it!
No, I am certain that anyone who chooses to buy my album is very interesting and intelligent, both intellectually and emotionally! And I would love to meet them, sing for them, (or with them!) and have a coffee.

> Aside from the prospect of playing in a stranger’s kitchen, what’s the  strangest gig you’ve done?
Wow. Good question. I’ve been a working musician for 10 years now and done an assortment of curious gigs….erm….how about a Chinese New Year celebration at the Royal Courts of Justice, where the support act was an exotic dancer with indoor fireworks attached to her…or the house party where they asked be to perform on a diving board, 50ft above a swimming pool full of dancers/swimmers – the load in for that one was particularly tricky!

> The Glee Club seems a natural choice for your album release gig, what is the venue like for performers? The intensely attentive atmosphere must be quite  intimidating to perform in?
It’s a beautiful place to perform. Promoter Markus Sargeant has worked tirelessly to create a listening culture amongst the audience and in doing so provides the perfect platform for artists to express themselves.

> What’s the plan after the album release? Have you got new material already  in mind, or are you just hoping to enjoy this album for as long as possible?
Yes I have other material in mind…I enjoy writing a lot, and have a big appetite for recording/creating.
I have recorded 5 songs for the next album, with my band and producer Ryan Pinson (he did the 3 EPs). It’s a different sound from this album: big, expansive, epic, at times frantic, and fast paced. When time and circumstance allow we’ll be back in to record another 5 tracks and plan to release in 2012. I plan to set up a pledge campaign to help fund that project, the working title is Landscape.

SEPTEMBER 2011
Wed 14 – London Borderline

OCTOBER 2011

Wed 26 – Birmingham Glee Club
Thurs 27 – Nottingham Glee Club (duo gig)

Hello there.

Happy to report good times all ’round last week with two lovely shows with the Secret Sisters and the Shed fest at Coach House Old Swinford on Sunday.
The Secret Sisters made me so welcome, and it was a real thrill to get up on stage during their set and perform ‘When We Were Sleeping’ together.

My debut album will be available to buy at my gig at the Glee Club (26.10.11), and I will be taking pre-orders on this site sometime before that.

I am really excited to be sharing a stage with Peter Bruntnell, described as “One of the finest songwriters in Britain” by The Independent. I am sure if you are reading this you probably are familiar with Peter’s lovely songs, but if you haven’t worked your way around to him yet, click here to go to his myspace. I was initally drawn in by Peter’s song ‘Sea Of Japan’ whilst travelling Japan, but I was soon hooked on the whole album. Peter’s songs are the perfect soundtrack when you are exploring, trying to break the distorted lens of your own culture…when I got back I felt compelled to get in touch”
Peter will be performing as a trio w. Danny Williams on upright bass and James Walbourne (Pretenders Guitarist)

I am in the studio this week, working on a new song I have added to my album which is called ‘My Heart Doesn’t Age (It Just Gets Older)’.

Back soon.

Dan:)